one cell of space
|
Video-art is a manifestation of a single human being: a world on it's own. Complex, enigmatic, with all it's tensions, diverse motivations, irregularities and colors spread out over both hemispheres. Consequently my video-art distinguishes itself from traditional cinema, which is usually the product of collaborations, despite the existence of a single director. Working in my one cell of space underlines the intention of wanting to be video-art, solely, clearly, with all it's fragmented parts which can be absorbed as a whole, as a coherent object that can be considered a finalized entity, because only within video-art I can fully provide an experience of the one cell of space.
There are ‘black spots’ in my work to underline the still existing and relative independence of each element: absence of an image or absence of sound. They appear to be lost, for a moment, but are still part of the actual game, of the ongoing story, even in their non-existent momentum. This tension between loosing objects and introducing objects is essential in making the viewer aware of the idea of one cell of space. |
screenings & festivals 2010 - 2018
|
- Metropolis The W:OW Project - WOW.19 / USA @ Torrance Art Museum California , 21 July till 14 December 2018
- Metropolis The W:OW Project - Art Film & Video Festival@ 4th TENT Little Cinema International Festival 8-10 December 2017 Kolkata/India - Durchschauen and 6 other video's selected by curators for Videotheque Art Stream New York, 2016/2017. - Curator Alberto Guerreiro selected Durchschauen and A moment at 44 for the Transborda Videoart Gallery Books and Movies Festival in Alcobaça, Portugal 1-10th of June 2015 - Durchschauen selected by Streaming Festival The Hague, the Netherlands, 9-14 Dec 2014 - 1933 shown noveber 2014 at The Jia Pingwa Museum in Xi'an China (Enrico Tomasselli invited to give a talk) Also shown at Reflections of the Past in Ljubljana / Slovenia June 2014 - Jigo Jisho video presented at the Ionian International Digital Film Festival Greece, Levkas Island, Sept 15-22, 2012 - Aeternitatis, A moment at 44 and Out of the blue at International review of video art 21st DokumentART European Film Festival for Documentaries, 16-20 November, 2012 in Neubrandenburg, Germany, and Szczecin, Poland. Catalog issued for the festival. Thanks to Antoni Karwowski (curator) for the invitation - 30th of May 2012 I present 3 new video pieces with an oral introduction in 'Pakhuis de Zwijger' (Beamlab). Commisioned by the VPRO tv Netherlands. The videos are made with material provided by 'Nederland van Boven', (vpro, dutch broadcasting) Contains the videos: Out of the blue, A cell of space and Cobra Attack - Jigo Jisho shown in India at the CeC Februari 24-26 2012, at the Sattal Estate, in the Lower Kumaon of the Himalayan Indian state of Uttarakhand - Aeternitatis shown at opening night of the Streaming Festival at Het Nutshuis The Hague, 1st of December 2011 Aeternitatis, A moment at 44 and Jigo Jisho selected for the 6th Streaming Festival The Hague (NL), December 1st till 18th 2011 -Interview for CologneOFF Videoart Festival - Home is where the heart is selected for 'music video around the globe' at the Bornshorts film festival Denmark, sept 16th and 17th 2011 - Jigo Jisho is selected for the CologneOFF videoart festival Germany sept. 2011 - Jigo Jisho is now part of the permanent collection of the Casoria Contemporary Art Museum Napels, Italy. Museum director: Antonio Manfredi - Jigo Jisho selected with 30 out of 800 videos for the MagmArt Video-art festival Napels, Italy. Screening: friday, march 18th 2011 at the Venue of Foundation Universal Forum of Cultures. 1933 (project: 100x100=900) 2013 - 2014
|
Roelof Broekman (under the name of Evo Preisner) at Casoria Modern Art Napels, Italy. Showing of the video Jigo Jisho (2011)
Roelof Broekman at Streaming Festival Den Haag, Netherlands.
Showing of the video Aeternitatis (2011) 
practical issuesIn order to achieve the best results when viewing my work a few things have to be observed:
- Format works: 1920 X 1080 (Full HD) - Sound: 24 bit 48 kHz /16 bit 48 kHz/files at least 320 kbps - Closed viewing room with beamer/audio equipment and speakers which can handle low Hz (35 - 80Hz) drones or: - Flat-screen TV with additional superior headphones (2 or 3) - Computer or laptop It’s important that the spectator is able to experience the different elements (sound, image and words) in their full capacity. |
INLEIDING BEAMLAB PAKHUIS DE ZWIJGER
(Amsterdam, VPRO, 30 MEI 2012)
|
Ik maak een vorm van beeldpoëzie die voortkomt uit door mij gecreëerd beeld, door mijzelf gecomponeerde en gespeelde muziek, en door mijzelf geschreven of gesproken tekst. Tijdens het maakproces switch ik voortdurend tussen deze drie componenten om ze zo dicht mogelijk bij elkaar te krijgen. Ik probeer ze als het ware in elkaar te weven, te vlechten. Van belang daarbij is de gelijktijdigheid in het proces. Om een bepaalde vorm van concentratie te behouden werk ik alleen, net als een schrijver. Zo kunnen zich bijvoorbeeld tijdens de video-opnamen al compositorische fragmenten vormen, of tekstideeën aandienen. Er toont zich uiteindelijk een resultaat van 1 visie, 1 denkraam, waarbij elke mogelijke vorm van collectiviteit, samenwerking, is uitgeschakeld.
Maar vandaag laat ik dus iets anders zien: ik heb gebruik moeten maken van beelden die niet door mijzelf zijn geschoten. En dat levert meteen een iets ander resultaat op. Met een andere spanning. Hoewel het proces van werken in wezen hetzelfde is lijkt het er op dat we hier meer te maken hebben met slechts een reactie op beeldmateriaal: de beelden behoren immers al tot een bestaand concept, een bestaand programma, zijn al ‘gebruikt’, en voor mijn doel dus in feite corrupt. De uitkomst is dan ook op alle niveaus die van een verstoord proces. Wellicht gaan de video's daar ook over. interviewsthank you- Elliot Carter (composer, USA, 1908-2012) who developed the independent routings of different instruments in an ensemble: he started to see instruments as individuals with their own needs and willpower as an equivalent of the modern democratic society.
- Alexander Sokurov (filmmaker, Russia, 1951) who showed how spoken words and slow revealing images can capture ones attention in a way that you eventually get overwhelmed by the intensity of simplicity, and taking the time to let you become part of his dreamlike world, for instance in his ‘elegy of a journey’, but as well as in his other works. - Michel van der Aa (composer, The Netherlands, 1970) who combines film images, interviews and acting with ensemble live performance. He also uses singers who interact live with pre-recorded images and voices of themselves projected on screen. Van der Aa writes the music and directs the visuals himself. - Rob List (dancer, USA, 1946) who makes very slow body movements in strict silence, moving away from dance in such a way that it manifests an inner world seen on the outside, demanding full concentration of the spectator who almost becomes part of the play. Very compact ideas stretched out over a long period of time. Challenging performances. - Anders Weberg (video-artist, Sweden, 1968): a video artist from Sweden, about the same age. - and... in non-specific order: Claude Vivier, Ingmar Bergman, Arnold Schönberg, Sunn O))), Kim Gordon, Black Sabbath, Mark Rothko, Jackson Pollock, John Frusciante, Pierre Boulez, Edgar Reitz, Zappa, Hendrix, OM, Yob, Boris (jp), Anton Webern, Woody Allen, John Lydon, Thom Yorke, Nabokov, Cesare Pavese, Allan Holdsworth, Hans Andreus, Robert M. Pirsig, Vinnie Colaiuta, Anton Corbijn, the Artis zoo, Joy Division, Edgar Varese, Hal Hartley, Hans Lodeizen, Thurston Moore, Sonic Youth, The bad Plus, Jonathan Harvey, Sofia Gubaidulina, Kate Bush, Fernando Pessoa, The Fall, Neil Peart, Morton Feldman, Andrei Tarkovsky... |
|
